{"id":13994,"date":"2024-04-16T22:56:39","date_gmt":"2024-04-17T02:56:39","guid":{"rendered":"https:\/\/smamontreal.ca\/?page_id=13994"},"modified":"2025-04-03T18:59:35","modified_gmt":"2025-04-03T22:59:35","slug":"cozzolani-labbesse-rebelle","status":"publish","type":"page","link":"https:\/\/smamontreal.ca\/en\/cozzolani-labbesse-rebelle\/","title":{"rendered":"Cozzolani, l&#8217;abbesse rebelle"},"content":{"rendered":"<div class='flex_column av-3uoztai-3328c5f105e02938c5fd1b3203c87f02 av_one_half  avia-builder-el-0  el_before_av_one_half  avia-builder-el-first  first flex_column_div '     ><p><div  class='avia-slideshow av-lv37ytqw-eca76a48b0021db0891c3967a426995f avia-slideshow-no scaling av_slideshow avia-slide-slider  avia-builder-el-1  el_before_av_social_share  avia-builder-el-first  av-slideshow-ui av-control-default av-slideshow-autoplay av-loop-endless av-loop-manual-endless av-default-height-applied avia-slideshow-1' 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href='mailto:?subject=Cozzolani%2C%20l%E2%80%99abbesse%20rebelle&#038;body=https:\/\/smamontreal.ca\/en\/cozzolani-labbesse-rebelle\/' aria-hidden='false' data-av_icon='\ue805' data-av_iconfont='entypo-fontello' title='' data-avia-related-tooltip='Share by Mail'><span class='avia_hidden_link_text'>Share by Mail<\/span><\/a><\/li><\/ul><\/div><\/div><\/p><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-9dvslm-c0bfd4b49bce28bc6fe66cb94983cc00\">\n.flex_column.av-9dvslm-c0bfd4b49bce28bc6fe66cb94983cc00{\n-webkit-border-radius:0px 0px 0px 0px;\n-moz-border-radius:0px 0px 0px 0px;\nborder-radius:0px 0px 0px 0px;\n}\n<\/style>\n<div class='flex_column av-9dvslm-c0bfd4b49bce28bc6fe66cb94983cc00 av_one_half  avia-builder-el-3  el_after_av_one_half  avia-builder-el-last  flex_column_div av-zero-column-padding '     ><p><section  class='av_textblock_section av-lv4kq594-b3476b2f24c4cbaf9bcb08df845e8e98'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><span style=\"color: #ffffff;\">&#8211;<\/span><\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-lv3806am-eeacb272e5099ae3c709252f978d1cf4\">\n#top .av_textblock_section.av-lv3806am-eeacb272e5099ae3c709252f978d1cf4 .avia_textblock{\ncolor:#000000;\n}\n<\/style>\n<section  class='av_textblock_section av-lv3806am-eeacb272e5099ae3c709252f978d1cf4'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock av_inherit_color'  itemprop=\"text\" ><p><span style=\"color: #ffffff;\">&#8211;<\/span><strong><br \/>\n<\/strong><\/p>\n<p><strong>Sunday, March 30, 2025 \u2013 2:30 pm<\/strong><i><span style=\"font-weight: 400;\"><br \/>\n<\/span><\/i>Bourgie Hall<br \/>\n1339, Sherbrooke West<br \/>\nMontr\u00e9al, H3G 1G2<\/p>\n<p><img loading=\"lazy\" class=\"agency\" src=\"https:\/\/appassets.mvtdev.com\/index\/public-transit-resources\/img\/transit-types\/bus.svg\" alt=\"Bus\" width=\"20\" height=\"20\" \/> Bus : 24 \u2013 stop De la Montagne<br \/>\n<img loading=\"lazy\" src=\"data:image\/png;base64,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\" alt=\"M\u00e9tro\" width=\"20\" height=\"20\" \/> M\u00e9tro : Guy-Concordia, Peel or Lucien-L\u2019Allier<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1rcts5m-8f4783a252bf7710e209ef47f7be5732\">\n#top .av-special-heading.av-1rcts5m-8f4783a252bf7710e209ef47f7be5732{\npadding-bottom:15px;\n}\nbody .av-special-heading.av-1rcts5m-8f4783a252bf7710e209ef47f7be5732 .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-1rcts5m-8f4783a252bf7710e209ef47f7be5732 .av-subheading{\nfont-size:10px;\n}\n<\/style>\n<div  class='av-special-heading av-1rcts5m-8f4783a252bf7710e209ef47f7be5732 av-special-heading-h3 meta-heading  avia-builder-el-6  el_after_av_textblock  el_before_av_textblock '><h3 class='av-special-heading-tag'  itemprop=\"headline\"  >SUMMARY<\/h3><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-lv380i6a-1ed6ffdf99798f8a18dbc50b5055bfd9\">\n#top .av_textblock_section.av-lv380i6a-1ed6ffdf99798f8a18dbc50b5055bfd9 .avia_textblock{\ncolor:#000000;\n}\n<\/style>\n<section  class='av_textblock_section av-lv380i6a-1ed6ffdf99798f8a18dbc50b5055bfd9'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock av_inherit_color'  itemprop=\"text\" ><p>Chiara Margarita Cozzolani, Benedictine nun, then abbess of her Milanese convent, published an opulent collection of Vespers for the Blessed Virgin in 1650, an ensemble of motets for two choirs with instruments, which she and her colleagues periodically performed to enthralled audiences that had sometimes travelled from throughout Europe to hear them. But, despite a fierce show of resistance, a new archbishop soon put a stop to these gatherings, which he deemed to be a detriment to virtue, insisting on a return to austerity\u2026<\/p>\n<section>\n<div><\/div>\n<\/section>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-11ekdoq-d94555625a12ef44c561df69e8707b70\">\n#top .av-special-heading.av-11ekdoq-d94555625a12ef44c561df69e8707b70{\npadding-bottom:15px;\n}\nbody .av-special-heading.av-11ekdoq-d94555625a12ef44c561df69e8707b70 .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-11ekdoq-d94555625a12ef44c561df69e8707b70 .av-subheading{\nfont-size:10px;\n}\n<\/style>\n<div  class='av-special-heading av-11ekdoq-d94555625a12ef44c561df69e8707b70 av-special-heading-h3 meta-heading  avia-builder-el-8  el_after_av_textblock  el_before_av_textblock '><h3 class='av-special-heading-tag'  itemprop=\"headline\"  >PROGRAM<\/h3><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-lv3812i9-0f74e30f8fabfbb854ef7803e7f8e463\">\n#top .av_textblock_section.av-lv3812i9-0f74e30f8fabfbb854ef7803e7f8e463 .avia_textblock{\ncolor:#000000;\n}\n<\/style>\n<section  class='av_textblock_section av-lv3812i9-0f74e30f8fabfbb854ef7803e7f8e463'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock av_inherit_color'  itemprop=\"text\" ><p><span style=\"font-weight: 400;\">Intonation gr\u00e9gorienne <\/span><em><span style=\"font-weight: 400;\">Deus in Adjutorium<\/span><\/em><span style=\"font-weight: 400;\"> et r\u00e9pons <\/span><em><span style=\"font-weight: 400;\">Domine ad adjuvendum <\/span><\/em><span style=\"font-weight: 400;\">\u00e0 8 voix et basse continue (<\/span><em><span style=\"font-weight: 400;\">Salmi \u00e0 otto voci concertati<\/span><\/em><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"font-weight: 400;\">Venise, 1650)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Motet de psaume <\/span><em><span style=\"font-weight: 400;\">Dixit Dominus <\/span><\/em><span style=\"font-weight: 400;\">\u00e0 8 voix et basse continue (<\/span><em><span style=\"font-weight: 400;\">Salmi \u00e0 otto voci concertati<\/span><\/em><span style=\"font-weight: 400;\">)<\/span><\/p>\n<p><b>Isabella Leonarda <\/b><span style=\"font-weight: 400;\">(1620-1704)<br \/>\n<\/span><span style=\"font-weight: 400;\">Sonate op. 16 n\u00ba 12 pour violon et basse continue (<\/span><em><span style=\"font-weight: 400;\">Sonate \u00e0 1, 2, 3 e 4 istromenti<\/span><\/em><span style=\"font-weight: 400;\">, Bologne, 1693; arrangement pour orgue, violoncelle, harpe et luth)<br \/>\n<\/span><span style=\"font-weight: 400;\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Adagio &#8211; Allegro e presto<br \/>\n<\/span><span style=\"font-weight: 400;\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Largo &#8211; Vivace &#8211; Largo<br \/>\n<\/span><span style=\"font-weight: 400;\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Aria (Allegro) &#8211; Veloce (Giga)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Motet <\/span><em><span style=\"font-weight: 400;\">O pr\u00e6clara dies<\/span><\/em><span style=\"font-weight: 400;\"> pour soprano et basse continue (<\/span><em><span style=\"font-weight: 400;\">Scherzi di sacra melodia<\/span><\/em><span style=\"font-weight: 400;\">, Venise, 1648)*<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Motet de psaume <\/span><em><span style=\"font-weight: 400;\">L\u00e6tatus Sum<\/span><\/em><span style=\"font-weight: 400;\"> \u00e0 8 voix et basse continue (<\/span><em><span style=\"font-weight: 400;\">Salmi \u00e0 otto voci concertati<\/span><\/em><span style=\"font-weight: 400;\">)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">ENTRACTE<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Motet de psaume <\/span><em><span style=\"font-weight: 400;\">Beatus vir <\/span><\/em><span style=\"font-weight: 400;\">\u00e0 8 voix \u00ab\u00a0<\/span><em><span style=\"font-weight: 400;\">in forma di dialogo<\/span><\/em><span style=\"font-weight: 400;\">\u00bb et basse continue (<\/span><em><span style=\"font-weight: 400;\">Salmi \u00e0 otto voci concertati<\/span><\/em><span style=\"font-weight: 400;\">)<\/span><\/p>\n<p><b>Girolamo Frescobaldi <\/b><span style=\"font-weight: 400;\">(1583-1643)<br \/>\n<\/span><span style=\"font-weight: 400;\">Canzona n\u00ba 18 pour dessus et basse continue, <\/span><i><span style=\"font-weight: 400;\">\u00ab\u00a0<\/span><\/i><em><span style=\"font-weight: 400;\">La Masotti<\/span><\/em><i><span style=\"font-weight: 400;\">\u00a0\u00bb<\/span><\/i><span style=\"font-weight: 400;\"> (<\/span><em><span style=\"font-weight: 400;\">Il primo libro delle canzoni<\/span><\/em><span style=\"font-weight: 400;\">, Rome, 1628<\/span><span style=\"font-weight: 400;\">; arrangement pour harpe et violoncelle)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Motet <\/span><em><span style=\"font-weight: 400;\">Venite ad me omnes <\/span><\/em><span style=\"font-weight: 400;\">pour soprano et basse continue (<\/span><em><span style=\"font-weight: 400;\">Scherzi di sacra melodia<\/span><\/em><span style=\"font-weight: 400;\">)*<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Motet de psaume <\/span><em><span style=\"font-weight: 400;\">Nisi Dominus<\/span><\/em><span style=\"font-weight: 400;\"> \u00e0 8 voix et basse continue <\/span><span style=\"font-weight: 400;\">(<\/span><em><span style=\"font-weight: 400;\">Salmi \u00e0 otto voci concertati<\/span><\/em><span style=\"font-weight: 400;\">)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Cantique <\/span><em><span style=\"font-weight: 400;\">Magnificat<\/span><span style=\"font-weight: 400;\"> (<\/span><span style=\"font-weight: 400;\">primo<\/span><\/em><span style=\"font-weight: 400;\"><em>)<\/em> \u00e0 8 voix et basse continue <\/span><span style=\"font-weight: 400;\">(<\/span><em><span style=\"font-weight: 400;\">Salmi \u00e0 otto voci concertati<\/span><\/em><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"font-weight: 400;\">Venise, 1650)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">* basse continue reconstitu\u00e9e par Lucas Harris<\/span><\/p>\n<div><\/div>\n<div><\/div>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-241cqy-e25776044754e2ddd9b23ab2d4abe622\">\n#top .av-special-heading.av-241cqy-e25776044754e2ddd9b23ab2d4abe622{\npadding-bottom:15px;\n}\nbody .av-special-heading.av-241cqy-e25776044754e2ddd9b23ab2d4abe622 .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-241cqy-e25776044754e2ddd9b23ab2d4abe622 .av-subheading{\nfont-size:10px;\n}\n<\/style>\n<div  class='av-special-heading av-241cqy-e25776044754e2ddd9b23ab2d4abe622 av-special-heading-h3 meta-heading  avia-builder-el-10  el_after_av_textblock  el_before_av_textblock '><h3 class='av-special-heading-tag'  itemprop=\"headline\"  >DISTRIBUTION<\/h3><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-lv380tbi-51e5b98167b893fa7ee65fedb58dcee5\">\n#top .av_textblock_section.av-lv380tbi-51e5b98167b893fa7ee65fedb58dcee5 .avia_textblock{\ncolor:#000000;\n}\n<\/style>\n<section  class='av_textblock_section av-lv380tbi-51e5b98167b893fa7ee65fedb58dcee5'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock av_inherit_color'  itemprop=\"text\" ><p><strong>Marie Magistry<\/strong> et <strong>Anne-Marie Beaudette<\/strong>, sopranos<br \/>\n<strong>Jos\u00e9e Lalonde<\/strong> et <strong>Charlotte Cumberbirch<\/strong>, altos<br \/>\n<strong>Michiel Schrey<\/strong> et <strong>Nils Brown<\/strong>, tenors<br \/>\n<strong>Clayton Kennedy<\/strong> et <strong>John Giffen<\/strong>, basses<\/p>\n<p><strong>Amanda Keesmaat<\/strong>, cello<br \/>\n<strong>Sylvain Bergeron<\/strong>, luth<br \/>\n<strong>Francis Palma-Pelletier<\/strong>, violone<br \/>\n<strong>Antoine Malette-Ch\u00e9nier<\/strong>, harp<br \/>\n<strong>Rona Nadler<\/strong>, organ<\/p>\n<p><strong>Rona Nadler<\/strong>, direction<\/p>\n<\/div><\/section><\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Among the most beautiful musical<br \/>\nvespers of the 17th century<\/p>\n","protected":false},"author":2,"featured_media":13995,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"episode_type":"","audio_file":"","cover_image":"","cover_image_id":"","duration":"","filesize":"","date_recorded":"","explicit":"","block":"","filesize_raw":""},"yst_prominent_words":[],"_links":{"self":[{"href":"https:\/\/smamontreal.ca\/en\/wp-json\/wp\/v2\/pages\/13994"}],"collection":[{"href":"https:\/\/smamontreal.ca\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/smamontreal.ca\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/smamontreal.ca\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/smamontreal.ca\/en\/wp-json\/wp\/v2\/comments?post=13994"}],"version-history":[{"count":29,"href":"https:\/\/smamontreal.ca\/en\/wp-json\/wp\/v2\/pages\/13994\/revisions"}],"predecessor-version":[{"id":15335,"href":"https:\/\/smamontreal.ca\/en\/wp-json\/wp\/v2\/pages\/13994\/revisions\/15335"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/smamontreal.ca\/en\/wp-json\/wp\/v2\/media\/13995"}],"wp:attachment":[{"href":"https:\/\/smamontreal.ca\/en\/wp-json\/wp\/v2\/media?parent=13994"}],"wp:term":[{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/smamontreal.ca\/en\/wp-json\/wp\/v2\/yst_prominent_words?post=13994"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}