–
–
Wednesday, March 20th, 2024 – 7:30 p.m.
L’Ermitage – Salle Jacques Giguère
Collège de Montréal
3510, chemin de la Côte-des-Neiges
Montréal, H3H 1T9
–
Bus : 24
Guy-Concordia Station (Saint-Mathieu Exit)
Paid parking is available on the Hermitage site
Hildegard von Bingen (1098-1179) is one of the most recognizable medieval women, famous for her visionary writings and paintings, medical treatises, as well as over 70 musical compositions. In all of her works, Hildegard’s voice was highly original, offering a distinctly female perspective. Her songs were dedicated to various heavenly beings, and highest in this pantheon was Mary, the radiant jewel blooming with the power to save humanity. The other most beloved saint was Ursula and her 11,000-strong army of martyrs, who served as inspiration for many of Hildegard’s most beautiful and intricate pieces.
Hildegard von Bingen (1098-1179)
Quia ergo femina
antiphon for the Virgin Mary
Ave Maria, O auctrix vite
responsory for the Virgin Mary
O tu illustrata
antiphon for the Virgin Mary
Favus distillans
responsory for Saint Ursula and the 11,000 virgins
Aer enim volat/Psalm 148
antiphon and psalm for Saint Ursula and the 11,000 virgins
O Ecclesia
sequence for Saint Ursula and the 11,000 virgins
O nobilissima viriditas
responsory for the virgins
O viridissima virga
sequence for the Virgin Mary
Hodie aperuit
antiphon for the Virgin Mary
Élodie Bouchard, soprano
Leah Weitzner, soprano
Angèle Trudeau, mezzo and symphonia
Rebecca Bain, mezzo and fiddle
Rebecca Bain, musical direction