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Tuesday, October 21, 2025 – 7:30 pm
Bougie Hall
1339, Sherbrooke West
Montréal, H3G 1G2
Bus : 24 – stop De la Montagne / Bishop
Métro : Guy-Concordia, Peel or Lucien-L’Allier
The Eton Choirbook miraculously survived Henry VIII’s dissolution of the monasteries—leading to the Anglican Reformation—preserving a significant part of the sacred music of 15th century England. Its magnificent scores evoke the atmosphere and spirit of the cathedrals, chapels, and monasteries for which they were intended, while figures, animals, and various objects inhabit its illuminated initials as symbols and allusions to the text…
John Sutton (fin XVe s.)
Motet Salve Regina à 7 voix
Edmund Turges (v.1440 -v.1508)
Chanson Good Lord preserve the Ostrich feather à 3 voix
John Browne (1453-v.1500)
Motet Stabat Iuxta Christi Crucem à 6 voix
William Horwood (v.1430-1484)
Magnificat secundi toni a 5 voix
Walter Lambe (XVe-XVIe s.)
Motet Nesciens Mater à 5 voix
Robert Wylkynson (v.1450-ap.1515)
Motet Salve Regina à 9 voix
Choir
Andrew McAnerney, direction