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Wednesday, September 24, 2025 – 7:30 pm
Chapelle Notre-Dame-de-Bon-Secours
400, rue Saint-Paul Est
Montréal, H2Y 1H4
Bus : 170, 30, 350, 355, 364, 365
Métro : Champs-de-Mars
Despite its undeniable originality, we often forget just how important Spanish music is in the 17th century repertoire. To get to know it a bit better, here are various vocal and instrumental compositions—sometimes unrestrained, sometimes poignant, embellished with castanets and other surprises—all of which evoke different facets of women’s lives as well as the beauty of Iberian nature, its fauna, flora, and seaside landscapes.
José Marín (1619-1699)
No piense Menguilla ya
Alfonso de Mudarra (vers 1510-1580)
Triste estaba el rey David
Antonio de Cabezón (1510-1566)
Ancor che col partire
José Marín
Sepan todos que muero
Ojos pues me desdeñáis
Sin duda piensa Menguilla
Anonyme
Españoletas
Gaspar Sanz (1640-1710)
Canarios
Juan Hidalgo (1614-1685)
Luceros y flores, arded y lucid
Anonyme
Vuestros Ojos tienen d’amor no sé qué
Batalla del 5. tono
Henri de Bailly (vers 1580-1637)
Passacalle de La Follie
Anonyme
Niña, si encontrares durmiendo a Cupido
Gabriel Bataille (vers 1574-1630)
El baxel está en la playa
Catherine St-Arnaud, soprano
Sylvain Bergeron, lute and baroque guitar
Antoine Malette-Chénier, baroque harp